Surf Point is a nonprofit organization on the coast of York, Maine that supports diverse visual artists and art workers through a residency; stewards 45 acres of coastal and forested land; hosts public programs; and promotes and shares research on our historic legacy.
Residents
Annette LePique is a freelance writer based in Chicago. She has contributed to the Cleveland Review of Books, Frieze, Momus, and ArtReview.
Jori Finkel writes about contemporary art with attention to gender issues. Her work appears regularly in The New York Times and The Art Newspaper.
Stephani Maari Booker is surviving the fire, plague and wrath of 2020s Minneapolis, MN, by creating works for the page and the stage in which she wrestles with her multiple marginalized identities: African American, lesbian, lower-class and nerdy.
José Santiago Pérez is an artist and educator based in Pittsburgh. Their work was recently exhibited at Tiger Strikes Asteroid (Chicago), the University Art Gallery at the University of Pittsburgh, and will be shown at Mindy Solomon Gallery (Miami) later this year.
Roger Q. Mason (they/them) is an award-winning playwright, performer and educator celebrated for visionary works like Lavender Men, which have earned prestigious accolades including the 2024 McKnight National Playwright Commission and the inaugural Dramatists Guild Foundation Catalyst Grant.
C. C. Ann Chen is an artist and educator based in Chicago, IL. Her work stems from architecture and landscape, exploring perceptual translations and misinterpretations of place and time.
Jean Shin is known for her sprawling and often public sculptures, transforming accumulations of discarded objects into powerful monuments that interrogate our complex relationship between material consumption, collective identity, and community engagement.
Sharmistha Ray (they/them) is a visual artist and Estella Loomis McCandless Assistant Professor of Art at Carnegie Mellon University. Their artistic practice uses modes of abstraction to explore imagery related to Hindu and Buddhist cosmologies, the patterning and ornamentation of South Asian crafts, and sacred architecture in relationship to global modernisms and queer futurity.